Shadowcast PicturesShadowcast PicturesShadowcast PicturesShadowcast Pictures
  • Home
  • EQUIPMENT
    • Cameras
      • Arri Alexa Mini LF
      • Arri Alexa Mini
      • Arri Amira
      • RED Gemini 5K S35
      • RED Helium 8k S35
      • RED Monstro 8k VV
      • Sony Venice
      • Sony PXW-FX9
      • Sony Cinema Line FX6
      • Sony PXW-FS7M2
      • Sony Alpha a7S II
      • Panasonic Varicam LT
      • Panasonic Lumix S1H
      • Panasonic Lumix GH5s C4K
      • Panasonic EVA-1
      • Canon C300 Mark II
    • Lenses
      • Anamorphic Lenses
      • Prime Lenses
      • Zoom Lenses
      • Full Frame Lenses
      • Vintage Lenses
      • Specialty Lenses
      • Macro Lenses
      • DSLR Lenses
      • Micro 4/3″ Lenses
    • Lens Accessories
    • Filters
    • Power
    • Media & Storage
    • Camera Accessories
    • Monitors
    • Wireless Video
    • Support
    • Audio
    • Lighting & Grip
    • View All
  • HOW TO RENT
    • How To Rent
    • Rental Forms
    • Prep & Returns
    • Covid 19 Protocols
  • ABOUT
  • QUOTE
  • CREDITS
  • CONTACT
  • Call

PANASONIC LUMIX S1H

24.2-MEGAPIXEL FULL FRAME MIRRORLESS CAMERA

Panasonic Lumix S1H Description

The LUMIX S1H is a full-frame mirrorless camera for film production scaled to a hand-held design without compromising professional-level standards. With superior functionality that slots effortlessly into the professional workflow the S1H is also designed for active filming in the field when attached to a gimbal or drone. A 24.2-megapixel full-frame image sensor achieves high sensitivity and minimum noise with unlimited recording time in all modes .

Features

24.2MP Full-Frame CMOS Sensor and Venus Engine

Featuring a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H’s imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multipixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing color moiré, and Color Control further enhances color reproduction, especially in the highlights and shadows. The Venus Engine’s processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.

Video Recording

Optimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.Borrowing from Panasonic’s broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions.

Body Design

Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Internal heat-dissipating fan helps prevent overheating and enables unlimited video recording times. The fan can be set to Auto 1, where the fan is initiated once a temperature rise is detected; Auto 2, where the fan is kept off for as long as possible to prioritize silence; Normal; and Slow. Durable, weather-sealed magnesium alloy construction is splash, dust, and freezeproof to accommodate working in harsh weather conditions and trying environments. Ergonomic design provides a large, comfortable right-hand grip along with easily accessible physical controls, an eight-way joystick, and a refined overall UI design for intuitive use. Additionally, illuminated buttons aid settings adjustment in low-light conditions and a lock lever prevents unwanted settings changes. High precision shutter mechanism offers a top mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and has been tested for approximately 400,000 actuations.

5-Axis Sensor-Shift Image Stabilization

Helping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1’s 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens’s optical stabilization. Additionally, specific to video applications, Boost I.S. is digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.

DFD Autofocus System

For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject’s pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV.

Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF.

Specs


Weight2.56 lb / 1164 g (Body with Battery and Memory)
Dimensions (W x H x D) *1/strong>5.94 x 4.5 x 4.35"
Power Consumption≤6.3 W
Operating Temperature14 to 104°F / -10 to 40°C
Battery TypeDMW-BLJ31 Rechargeable Lithium-Ion, 7.4 VDC, 3050 mAh (Approx. 400 Shots)
Recording ModesH.265/MOV 4:2:0 10-Bit
6K 3:2 (5952 x 3968) at 23.98p/24.00p [200 Mb/s]
5.4K 3:2 (5376 x 3584) at 25p/29.97p [200 Mb/s]
5.9K (5888 x 3312) at 23.98p/24.00p/25p/29.97p [200 Mb/s]
DCI 4K (4096 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
UHD 4K (3840 x 2160) at 47.95p/48.00p/50p/59.94p [200 Mb/s]
4K Anamorphic (3328 x 2496) at 47.95p/48.00p/50p [200 Mb/s]
Full HD (1920 x 1080) at 47.95p/48.00p/100p/119.88p [100 to 150 Mb/s]
H.264/MOV 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p [150 to 400 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p [50 to 200 Mb/s]
H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 150 Mb/s]
4K Anamorphic (3328 x 2496) at 23.98p/24.00p/25p/29.97p/50p [100 to 150 Mb/s]
Full HD (1920 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 Mb/s]
H.265/MP4 4:2:0 10-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [72 to 100 Mb/s]
H.264/MP4 4:2:0 8-Bit
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s]
Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [20 to 28 Mb/s]
AVCHD 4:2:0 8-Bit
Full HD (1920 x 1080) at 23.98p/50i/50p/59.94i/59.94p [17 to 28 Mb/s]
Audio RecordingMOV: 2-Channel 16-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
AVCHD: 2-Channel AC-3 Audio
Variable Frame Rates4K Anamorphic: 2 to 50 fps
DCI 4K: 2 to 60 fps
1080p: 2 to 179.82 fps
Lens MountLeica L
ISO SensitivityPhoto/Video
100 to 51,200 (Extended: 50 to 204,800)
Shutter SpeedMechanical Shutter:
1/8000 to 60 Seconds
0 30 Minute in Bulb Mode

Electronic Front Curtain Shutter:
1/2000 to 60 Seconds
0 30 Minutes in Bulb Mode

Electronic Shutter:
1/8000 to 60 Seconds
0 60 Seconds in Bulb Mode
1/16000 1/125 Second in Movie Mode
White Balance2500 to 10,000K
Presets: Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
Gamma CurveHDR-HLG
Audio Input1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Mic/Line Input
USB1 x USB Type-C (USB 3.2 / 3.1 Gen 1) Output (Shared with Power Input)
Headphone Output1/8" / 3.5 mm TRRS Headphone/Mic Output
Display TypeFree-Angle Tilting Touchscreen LCD
Built-in Microphone TypeStereo
Media TypeDual Slot: SD/SDHC/SDXC (UHS-II)

 

INSTAGRAM FEED

New @oconnorsupport 1040 Fluid Heads with Flowtech New @oconnorsupport 1040 Fluid Heads with Flowtech 100 Sticks now available!  With a 45 pound payload capacity and 90 degree tilt combined with the flowtech lightweight ergonomic design you can move faster and utilize larger cameras and lenses.  This is the best tripod/head upgrade we have seen in years.  #oconnor #fluidhead #camerasupport #newgear #flowtech #camerasbyshadowcast #shadowcastpictures #camerarentals
Introducing our @zerooptik re-housed Canon FD Full Introducing our @zerooptik re-housed Canon FD Full Frame Prime Lenses!  With the addition of the Canon + 18mm T1.6 this set delivers the flexibility and quality found in their K35 cousins but without busting your budget!  Canon’s vintage aesthetic is perfect for capturing high resolution images on digital sensors.  The complete set consists of the following focal lengths: 14mm, 18mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, 100mm, 135mm, 200mm.  Swipe through for some images of select lenses and email us at rent@shadowcastpictures.com for rental inquires!  #canonfd #canonk35 #canon #zerooptik #lensporn #alexaminilf #arri #sonyvenice #reddigitalcinema #redraptor #fullframe #vintagelenses #camerasbyshadowcast #shadowcastpictures
Check out the highlights of the Alexa Mini LF and Check out the highlights of the Alexa Mini LF and it’s new capabilities with SUP 7.1!  Available for rent today!  #arri #alexaminilf #largeformat #fullframe #netflixapproved #anamorphic #super35 #shadowcastpictures #camerasbyshadowcast
The Cooke Anamorphic/i SF Prime Lenses deliver the The Cooke Anamorphic/i SF Prime Lenses deliver the Cooke Look while maintaining all of the anamorphic lens characteristics demanded by filmmakers today!  These Special Flare lenses offer enhanced flares, bokeh and other aberrations that pair well with digital cinema cameras.  We currently carry the 2x squeeze version.  Who wants to capture their next masterpiece with this fine glass?  #cookeoptics #cookelook #anamorphiclenses #cookeanamorphic #super35 #shadowcastpictures #camerasbyshadowcast
The Sigma FP Directors Viewfinder is an amazing ve The Sigma FP Directors Viewfinder is an amazing versatile viewfinder!  Create custom frame lines for Full Frame or use the internal presets for Arri, Red and Sony cameras!  #camerasbyshadowcast #shadowcastpictures #sigmacine #directorsfinder #fullframe #fullframefinder #canonfd #arri #reddigitalcinema #sonyvenice #woodencamera
Our @zerooptik Canon FD’s have arrived! We’ve Our @zerooptik Canon FD’s have arrived!  We’ve been putting this set together for over two years now finding the best glass possible.  Check back as we unveil the full set soon!  #camerasbyshadowcast #lensesbyshadowcast #fullframe #canonfd #canonk35 #sonyvenice #alexaminilf #redmonstro #fastlenses #vintagelens
Need wireless focus and camera control for your Ar Need wireless focus and camera control for your Arri camera?  Get your WCU-4 here!  #wcu4 #arriwcu4 #arri #camerasbyshadowcast #shadowcastpictures
Happy Friday! Prep with 4 C-300mkII’s and an A7 Happy Friday!  Prep with 4 C-300mkII’s and an A7sII  paired with Zeiss CZ Zooms 28-80mm, 70-200mm and Canon 17-120mm’s. Zeiss CZ zooms provide great coverage for Full Frame or Super 35mm and are a budget friendly light weight option with great optical quality.  #camerasbyshadowcast #shadowcastpictures #canon #sony #zeiss #zeisscompactzoom #c300
The newest addition to our Re-housed Nikon AI-S Pr The newest addition to our Re-housed Nikon AI-S Primes has arrived just in time for Christmas thanks to @zerooptik .  The 45mm T2.9 with a close focus of 1’2” is ready to go for your next shoot!  #nikon #fullframe #vintagelook #camerasbyshadowcast #vintagelens

CONTACT US

Call: 818.453.8445
Fax: 818.453.8489
Email: rent@shadowcastpictures.com

Open M-F 9:00am to 6:00pm

Shadowcast Pictures, LLC
14141 Covello Street, Unit 4B
Van Nuys, CA 
91405
Copyright 2018 Shadowcast Pictures | All Rights Reserved
  • Home
  • EQUIPMENT
    • Cameras
      • Arri Alexa LF
      • Arri Alexa Mini
      • Arri Amira
      • RED Helium 8k S35
      • RED Monstro 8k VV
      • Sony Venice
      • Sony PXW-FS7M2
      • Sony Alpha a7S II
      • Panasonic Varicam LT
      • Canon C300 Mark II
    • Lenses
      • Anamorphic Lenses
      • Prime Lenses
      • Zoom Lenses
      • Full Frame Lenses
      • Vintage Lenses
      • Specialty Lenses
      • Macro Lenses
      • DSLR Lenses
      • Micro 4/3″ Lenses
    • Lens Accessories
    • Filters
    • Power
    • Media & Storage
    • Compact HD Camera Accessories
    • Monitors
    • Wireless Video
    • Support
    • Audio
    • Lighting & Grip
    • View All
  • HOW TO RENT
    • How To Rent
    • Rental Forms
    • Prep & Returns
  • QUOTE
  • ABOUT
  • CREDITS
  • CONTACT
  • Call: 818-453-8445
  • FOLLOW
    • Facebook
    • Twitter
    • YouTube
    • LinkedIn
    • IMDb
    • Instagram
Shadowcast Pictures