Shadowcast PicturesShadowcast PicturesShadowcast PicturesShadowcast Pictures
  • Home
  • EQUIPMENT
    • Cameras
      • Arri Alexa Mini LF
      • Arri Alexa Mini
      • Arri Amira
      • RED Gemini 5K S35
      • RED Helium 8k S35
      • RED Monstro 8k VV
      • Sony Venice
      • Sony PXW-FX9
      • Sony Cinema Line FX6
      • Sony PXW-FS7M2
      • Sony Alpha a7S II
      • Panasonic Varicam LT
      • Panasonic Lumix S1H
      • Panasonic Lumix GH5s C4K
      • Panasonic EVA-1
      • Canon C300 Mark II
    • Lenses
      • Anamorphic Lenses
      • Prime Lenses
      • Zoom Lenses
      • Full Frame Lenses
      • Vintage Lenses
      • Specialty Lenses
      • Macro Lenses
      • DSLR Lenses
      • Micro 4/3″ Lenses
    • Lens Accessories
    • Filters
    • Power
    • Media & Storage
    • Camera Accessories
    • Monitors
    • Wireless Video
    • Support
    • Audio
    • Lighting & Grip
    • View All
  • HOW TO RENT
    • How To Rent
    • Rental Forms
    • Prep & Returns
    • Covid 19 Protocols
  • ABOUT
  • QUOTE
  • CREDITS
  • CONTACT
  • Call

RED GEMINI 5K S35

DSMC2 WITH TILTA CAGE

Red Gemini 5K S35 Description

Bundling high performance raw video recording in a compact camera body, the RED Digital Cinema DSMC2 Brain with Gemini 5K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, to tell your story in almost any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to accessorize your camera. Even though the GEMINI sensor has fewer photosites than its HELIUM and MONSTRO brethren, it has a cool trick up its sleeve. Using advanced circuitry designed for the aerospace industry, the GEMINI can switch native sensitivities. Practically speaking, it can operate in both normal and dimly lit scenarios without prematurely blown highlights or excessive noise, respectively. Nearly limitless lens options are available for the DSMC2 system. While this camera requires a separately available lens mount, DSMC lens mounts themselves are offered in different varieties for compatibility with a wide array of lens systems.

Features

5K GEMINI S35 Sensor
The GEMINI 5K Super 35mm sensor features dual sensitivity modes. Use Standard mode for conventional shooting scenarios. Switch to Low Light mode for increased sensitivity, but without the increased noise floor commonly found through signal manipulation.

REDCODE RAW
The cornerstone of RED’s workflow is the robust REDCODE RAW file format. Using wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW offers the versatility of raw files without the overwhelming storage requirements of uncompressed image data. Since REDCODE RAW has been around since the days of the RED ONE cinema camera, many common NLE software programs including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer can import and edit REDCODE RAW footage without transcoding, saving production time in the edit suite. Capture rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher options.

Apple ProRes and Avid DNx Formats
For projects requiring proxy files or quicker turnaround times than raw files permit, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. Since these debayered video files can be recorded alongside the raw files, no extra time is required for transcoding the proxies. Bring the debayered files straight into your NLE and begin editing.

DSMC2 Form Factor
Like the preceding DSMC cameras, RED designed the DSMC2 camera line to be modular to fit a wide range of production workflows. Smaller and lighter than the original DSMC design, when stripped down to the BRAIN itself, you have a high-resolution gimbal workhorse. Likewise, add DSMC2 modules to the rear to gain professional I/O connections and battery power. Many other parts of the DSMC2 design are meant to be interchangeable. Swap out the lens mounts to open up new libraries of lenses. Exchange the included standard OLPF (Optical Low-Pass Filter) for alternative image renderings at the sensor level. Mount an EVF without cables that can get snagged, or use a separately available adapter to attach RED LCDs via LEMO cable. Since the DSMC2 form factor is standardized, any accessories that you have for this DSMC2 body will work with any other DSMC2 body, should you upgrade or acquire an additional body in the future.

Color Management
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User-programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

Specs


Sensor TypeGEMINI 15.4 Megapixel Dual Sensitivity CMOS
Effective Pixels5120 × 3000
Sensor Dimensions30.72 mm x 18.0 mm

Diagonal: 35.61 mm
Dynamic Range16.5+ stops
Max Frame Rates75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
Max Data RatesUp to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
Playback Frame Rates
(Project Timebase)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
Redcode Settings
Range From 2:1 up to 22:1s
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
Redcode Raw Acquisition Formats5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
Apple ProresProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
Avid CodecsDNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
ConstructionAluminum Alloy
Weight3.35 lbs (BRAIN with Integrated Media Bay)
EnvironmentalOperating Temperature: 0°C to 40°C (32°F to 104°F)
Storage Temperature: –20°C to 50°C (–4°F to 122°F)
Relative Humidity: 0% to 85% non-condensing
Color ManagementSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AudioIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
Remote ControlIntegrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
Monitor Outputs3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

INSTAGRAM FEED

Arri Alexa 35’s have landed! @arri @abelcine #c Arri Alexa 35’s have landed!  @arri @abelcine #camerasbyshadowcast #shadowcastpictures #S35 #cinematography #alexa35 #digitalcinema
Arri Signature Primes on a Sony Venice do play tog Arri Signature Primes on a Sony Venice do play together nicely!  #arri #signatureprimes #arrisignatureprimes #sony #sonyvenice #cameraprep #fullframe #shadowcastpictures #camerasbyshadowcast #cinematography
Master Cases comes through again with an excellent Master Cases comes through again with an excellent custom case for our new Canon 25-250mm zooms.  Everything you need with this lens fits in the case!  Great design and protection for air or ground transportation.  THANK YOU MASTER CASES!
#canonusa #zoom #zoomlenses #cinemazoom #cinematography #lensrentals #lenscase #shadowcastpictures
The now legendary Cooke Speed Panchro lenses beaut The now legendary Cooke Speed Panchro lenses beautifully re-housed by @truelensservices are available for rent!  Capture the fantastic classic Cooke look on your next project!  #cookeoptics #cookelook #super35 #vintagelens #vintagelenses #lensflare #shadowcastpictures #lensporn #lensrentals #lenslove
BIG image, SMALL form factor. The @panasonicprovi BIG image, SMALL form factor.  The @panasonicprovideo S1H can capture up to 6K full frame, 4K anamorphic and 4K Super 35 in crop mode.  Use it with our Lumix S PRO zooms or use one of our lens adapters for PL mount, LPL mount and use any cinema lenses we offer.  This powerful budget friendly camera can really step up your game!  #panasonic #s1h #cinematography #fullframecamera #directorofphotography #anamorphic #super35mm #4k #6k #camerarentals #woodencamera #tilta #tiltacage #shadowcastpictures
Do you love camera movement? We now offer the new Do you love camera movement?  We now offer the new Cineped 2.0 slider.  This 3.5 ft rotational slider is lightweight and compact yet strong, weighing only 22.2 lbs.  The slider and new Quatro sticks are a combined 41 lbs making this much lighter than it’s predecessor. @cineped #cameraslider #cineped2 #cineped #cameramovement #dollygrip #cinematography #directorofphotography #cameraoperator #cameraassistant #setlife #shadowcastpictures #camerasbyshadowcast
Another set of vintage lenses are currently being Another set of vintage lenses are currently being re-housed for modern cinema use!  Exciting announcements coming soon! What’s your favorite vintage lens?  #vintagelenses #vintagelens #lensrehousing #super35 #arri #sonyvenice #sonyvenice2 #red #shadowcastpictures #camerasbyshadowcast
New @oconnorsupport 1040 Fluid Heads with Flowtech New @oconnorsupport 1040 Fluid Heads with Flowtech 100 Sticks now available!  With a 45 pound payload capacity and 90 degree tilt combined with the flowtech lightweight ergonomic design you can move faster and utilize larger cameras and lenses.  This is the best tripod/head upgrade we have seen in years.  #oconnor #fluidhead #camerasupport #newgear #flowtech #camerasbyshadowcast #shadowcastpictures #camerarentals
Introducing our @zerooptik re-housed Canon FD Full Introducing our @zerooptik re-housed Canon FD Full Frame Prime Lenses!  With the addition of the Canon + 18mm T1.6 this set delivers the flexibility and quality found in their K35 cousins but without busting your budget!  Canon’s vintage aesthetic is perfect for capturing high resolution images on digital sensors.  The complete set consists of the following focal lengths: 14mm, 18mm, 20mm, 24mm, 28mm, 35mm, 55mm, 85mm, 100mm, 135mm, 200mm.  Swipe through for some images of select lenses and email us at rent@shadowcastpictures.com for rental inquires!  #canonfd #canonk35 #canon #zerooptik #lensporn #alexaminilf #arri #sonyvenice #reddigitalcinema #redraptor #fullframe #vintagelenses #camerasbyshadowcast #shadowcastpictures

CONTACT US

Call: 818.453.8445
Fax: 818.453.8489
Email: [email protected]

Open M-F 9:00am to 6:00pm

Shadowcast Pictures, LLC
14141 Covello Street, Unit 4B
Van Nuys, CA 
91405
Copyright 2018 Shadowcast Pictures | All Rights Reserved
  • Home
  • EQUIPMENT
    • Cameras
      • Arri Alexa LF
      • Arri Alexa Mini
      • Arri Amira
      • RED Helium 8k S35
      • RED Monstro 8k VV
      • Sony Venice
      • Sony PXW-FS7M2
      • Sony Alpha a7S II
      • Panasonic Varicam LT
      • Canon C300 Mark II
    • Lenses
      • Anamorphic Lenses
      • Prime Lenses
      • Zoom Lenses
      • Full Frame Lenses
      • Vintage Lenses
      • Specialty Lenses
      • Macro Lenses
      • DSLR Lenses
      • Micro 4/3″ Lenses
    • Lens Accessories
    • Filters
    • Power
    • Media & Storage
    • Compact HD Camera Accessories
    • Monitors
    • Wireless Video
    • Support
    • Audio
    • Lighting & Grip
    • View All
  • HOW TO RENT
    • How To Rent
    • Rental Forms
    • Prep & Returns
  • QUOTE
  • ABOUT
  • CREDITS
  • CONTACT
  • Call: 818-453-8445
  • FOLLOW
    • Facebook
    • Twitter
    • YouTube
    • LinkedIn
    • IMDb
    • Instagram
Shadowcast Pictures