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RED HELIUM 8K S35

DSMC2 WITH TILTA CAGE

Red Helium 8K S35 (DSMC2 w/ Tilta Cage) Description

RED EPIC-W® carries on the legacy of the original RED EPIC®, which became the industry workhorse upon its release in 2010. Offered with two sensor options, the EPIC-W BRAIN enables creative flexibility in any situation:

EPIC-W leverages lightning fast data rates up to 275 MB/s and records REDCODE® RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.

Joining the DSMC2® lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.

Features

HELIUM 8K S35

8K resolution in a Super 35 format and recipient of the highest DxO score ever.

  • 35.4 Megapixel CMOS Sensor
  • 29.90 mm x 15.77 mm (Diag: 33.80 mm)

The ESR-T01-A1 package uses the Basic TILTA I/O Module.

Arm your camera with this Tilta camera rig specifically designed for the DSMC2 line of RED cameras.
The Tilta RED DSMC2 A1 Kit (ESR-T01-A1) Features:

  • Superior Construction and State of the Art Materials
    • CNC-milled from a lightweight and durable high-impact aluminum 7075 alloy
    • Hard-anodized surface design
    • Titanium locking screws
  • Internal Circuitry
    • The whole cage is lined with built-in electronics
    • Provides power and added functionality to external accessories
  • Top Armor Handle with power pass
    • Camera Run/Stop Button on Handle
    • (2) Cold Shoe Mounts
  • Handle Power Connection Module
    • Redistributes power from the internal circuitry of the handle to:
    • (1) 14.8V 2-Pin LEMO output
    • (2) 14.8V 3-Pin FISCHER output
  • Top Armor plate*
    • (2) 14.8V 3-pin FISCHER output with the Run/Stop trigger
    • (2) 14.8V 2-pin LEMO output
    • (1) 16-Pin LEMO output for DSMC LCD/EVF
  • Basic Tilta I/O Module**
    • Available in V-mount or Gold mount
    • (2) HD-SDI output
    • (1) DC power input
    • (1) USB power output
    • (1) HDMI output
    • (1) CTRL port
    • (1) SNYC port
    • (1) Stereo Headphone output
    • (1) Stereo microphone input
  • Endless Mounting Options
    • 1/4-20″ & 3/8-16″ Mounts
    • (1) 15mm Lightweight Spacing Top Rod Adapter
    • (1) Cage Armor Side Arm for durability and support
  • DSMC2 POGO to LEMO Adapter
    • For connecting DSMC1 LCDs
  • EVF holder with Switchable DSMC2 LCD bracket
    • (1) Pogo to Pogo Extension Cable for fast and flexible LCD adjustment
    • Allows for easy 360 rotation of your RED LCD to fit operator needs
    • (2) 15mm x 80mm Aluminum Support Rods
  • 15mm Lightweight rod spacing Tilta Standard Quick Release Camera Baseplate
    • Compatible with any of Tilta’s 15mm and 19mm Studio Baseplates to Arri Standard Dovetials (Not Included)

*Each 2-pin and 3-pin port has a maximum output of 2 AMPS

*Entire top handle/battery plate module distributes a maximum of 6 AMPS

**Only battery voltage provided

 

Specs


SENSOR TYPE HELIUM 35.4 Megapixel CMOS
EFFECTIVE PIXELS29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
DYNAMIC RANGE16.5+ stops
MAX FRAME RATES30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)

30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)
MAX DATA RATESUp to 275 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
PLAYBACK FRAME RATES
(PROJECT TIMEBASE
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS
RANGE FROM 2:1 UP TO 22:1
6:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

7:1 REDCODE for 8K Full Format (8192 × 4320) at 30 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

4:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps
REDCODE RAW
ACQUISITION FORMATS
8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECSDNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTIONMagnesium, and Aluminum Alloy
WEIGHT3.35 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROLIntegrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSDSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
REDCINE-X PRO
DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE
COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer,
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
Tech specs reflect both current and projected information. Everything is subject to change.
REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
For more information on available acquisition formats, see the DSMC Operation Guides.
Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

 

INSTAGRAM FEED

It was a mini @officialbgsu reunion today! Great It was a mini @officialbgsu reunion today!  Great to see former interns and employees paving their way through the film industry and now prepping @arri cameras with us!  #camerasbyshadowcast #alexamini #djironin #cookeoptics #bgsualumni #shadowcastpictures
Get the cinematic look you've been looking for wit Get the cinematic look you've been looking for with our tried and true Zeiss Super Speed MKII Lenses! Experience the dependable sharpness and clarity of a classic!  These lenses were recently beautifully overhauled by @ducloslenses and are ready to work!  #ZeissLens #CinematicLook #SharpnessAndClarity #vintagelenses #super35mm #alexa35 #zeisssuperspeeds #shadowcastpictures #camerasbyshadowcast #lensesbyshadowcast
It was a pleasure having our old friend @walkingpi It was a pleasure having our old friend @walkingpictures over to test out a build on the @sonycine FX-6.  Shadowcast’s @jayefilm and Andrew Sachs have been working with each other since 2006.  We strive to forge long lasting relationships like this.  Andrew was the DP on some of the first viral videos…before there were viral videos.  He is an extremely talented DP and in recent years has also become a very skilled producer.  You can find his latest work “Boys in Blue” on Showtime!  Also, thank you to PGR for loaning us an FX-6 in a pinch!  #sonycine #sonyfx6 #sigmacine #directorofphotography #producer #cameratest #lenstest #camerabuild #camerasbyshadowcast #shadowcastpictures
We’re thrilled to announce that we now have @anc We’re thrilled to announce that we now have @ancientoptics Minolta Rokkor Prime lenses available! These lenses are the perfect choice for cinematographers who want to capture rich and vibrant images with amazing clarity and detail while also providing nice texture to give some vintage character.  Their lightweight design combined with their advanced focusing system make them a must-have for every cinematographer.
 
They offer stunning optical performance, featuring  highly customized G.L. Optics Mark 5 housing and also cover full frame.  Additionally, they are incredibly durable, making them ideal for long shoots in any environment.
 
The Ancient Optics Minolta Rokkor Prime lenses provide a wide range of focal lengths from 21mm to 200mm that allow the user to capture stunning images in any situation with ease.  This 11-lens set offers 110mm fronts, PL Mount, matching gear positions, 330 degree focus throw, new circlular irises, and much improved close focus on most focal lengths.  Whether you’re shooting a feature film or a social media campaign, these lenses are sure to get the job done!

So, what are you waiting for? Rent your Ancient Optics Minolta Rokkor Prime lenses today from Shadowcast Pictures and start creating beautiful images that will surely look distinct from anything else!  #shadowcastpictures #minoltarokkor #rokkor #fullframe #vintagelenses #vintagelens #rehousedlenses #gloptics #cinematography
New gear now available! Alexa 35 and Ancient Opti New gear now available!  Alexa 35 and Ancient Optics Re-housed Minolta Rokkor primes by GL Optics.  If you haven’t used either yet let us know and we’d be happy to set up a demo or test!  More to come on the Minolta Rokkors…. #vintagelenses #super35 #minoltarokkor #digitalcinema #camerasbyshadowcast #shadowcastpictures
Lens testing today with DP @aj.raitano for an upco Lens testing today with DP @aj.raitano for an upcoming period piece.  Part of achieving the specific look of this film is through the lenses.  We have lots of great vintage lens options to choose from!  #truelensservices #zerooptik #ancientoptics #vintagelenses #filmmaking #cookespeedpanchros #minoltarokkor #nikonais #redgemini5k #lensesbyshadowcast #camerasbyshadowcast #shadowcastpictures
Arri Alexa 35’s have landed! @arri @abelcine #c Arri Alexa 35’s have landed!  @arri @abelcine #camerasbyshadowcast #shadowcastpictures #S35 #cinematography #alexa35 #digitalcinema
Arri Signature Primes on a Sony Venice do play tog Arri Signature Primes on a Sony Venice do play together nicely!  #arri #signatureprimes #arrisignatureprimes #sony #sonyvenice #cameraprep #fullframe #shadowcastpictures #camerasbyshadowcast #cinematography
Master Cases comes through again with an excellent Master Cases comes through again with an excellent custom case for our new Canon 25-250mm zooms.  Everything you need with this lens fits in the case!  Great design and protection for air or ground transportation.  THANK YOU MASTER CASES!
#canonusa #zoom #zoomlenses #cinemazoom #cinematography #lensrentals #lenscase #shadowcastpictures
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Call: 818.453.8445
Fax: 818.453.8489
Email: [email protected]

Open M-F 9:00am to 6:00pm

Shadowcast Pictures, LLC
14141 Covello Street, Unit 4B
Van Nuys, CA 
91405
Copyright 2018 Shadowcast Pictures | All Rights Reserved
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