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SONY ALPHA A7S II

FORWARD THINKING FULL FRAME SENSOR

sony-a7sii-tilta

Sony a7S II with Tilta Cage Description

Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format.

The Tilta ES-T17-A Handheld Camera Cage Rig fits all of the Sony a7 and a7S II series full frame, mirrorless digital cameras. It features a fully enclosed unibody camera rig made up of a single piece of CNC machined aluminum. The wooden handle features an ARRI standard rosette and can control start/stop camera functionality via a trigger on the rosewood, handcrafted handle. The lightweight support baseplate includes an integrated lens adapter support.

Features

Full-Frame Exmor Sensor and BIONZ X Image Processor
A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.

The sensor’s design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.

Internal UHD 4K Recording and Full Pixel Readout
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.

In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

5-Axis SteadyShot INSIDE Image Stabilization
Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Specs


Lens MountSony E-Mount
Camera FormatFull-Frame
PixelsActual: 12.4 Megapixel
Effective: 12.2 Megapixel
Max Resolution4240 x 2832e)
Aspect Ratio3:2, 16:9
Sensor Type / SizeCMOS, 35.8 x 23.9 mm
File FormatsStill Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, MPEG-4 AVC/H.264, XAVC S
Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo)
Bit Depth14-Bit
Dust Reduction SystemYes
Memory Card TypeSD
SDHC
SDXC
Memory Stick PRO Duo (High Speed)
Memory Stick PRO HG-Duo
Image StabilizationSensor-Shift, 5-Way
Video RecordingYes, NTSC/PAL
Video Format3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s XAVC S)
3840 x 2160p at 23.98/25/29.97 fps (60 Mb/s XAVC S)
1920 x 1080p at 100/120 fps (100 Mb/s XAVC S)
1920 x 1080p at 100/120 fps (60 Mb/s XAVC S)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (50 Mb/s XAVC S)
1920 x 1080p at 50/59.94 fps (28 Mb/s AVCHD)
1920 x 1080i at 50/59.94 fps (24 Mb/s AVCHD)
1920 x 1080i at 50/59.94 fps (17 Mb/s AVCHD)
1920 x 1080p at 23.98/25 fps (24 Mb/s AVCHD)
1920 x 1080p at 23.98/25 fps (17 Mb/s AVCHD)
1920 x 1080p at 50/60 fps (28 Mb/s MP4)
1920 x 1080p at 25/29.97 fps (16 Mb/s MP4)
1280 x 720p at 25/29.97 fps (6 Mb/s MP4)
Aspect Ratio16:9
Video Clip LengthUp to 29 Min 59 Sec
Audio RecordingBuilt-In Mic: With Video (Stereo)
Optional External Mic: With Video (Stereo + Mono)
Focus TypeAutofocus)
Focus ModeContinuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S)
Autofocus PointsContrast Detection: 169
Viewfinder Size0.5"
Viewfinder Pixel Count2,359,296
Display Screen3" Rear Screen LCD (1,228,800)
Screen Coverage100%
ISO SensitivityAuto, 100-102400 (Extended Mode: 50-409600)
ShutterType: Electronic & Mechanical
Speed: 30 - 1/8000 Second
Metering MethodCenter-Weighted Average Metering, Multiple, Spot Metering
Exposure ModesModes: Aperture Priority, Auto, Intelligent Auto, Manual, Movie, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama
Metering Range: EV -3.0 - EV 20.0
Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps)
White Balance ModesAuto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
Buffer/Continuous ShootingUp to 5 fps at 12.2 MP for up to 200 Frames
Up to 2.5 fps at 12.2 MP for up to 200 Frames
Flash ModesAuto
Fill-In
Hi-Speed Sync
Off
Rear Sync
Red-Eye Reduction
Slow Sync
Wireless
External Flash ConnectionHot Shoe
Self Timer10 Seconds, 5 Seconds, 2 Seconds
Connectivity1/8" Headphone, 1/8" Microphone, HDMI D (Micro), USB 2.0 Micro-B
Wi-Fi CapableYes
Battery1 x NP-FW50 Rechargeable Lithium-Ion Battery Pack, 7.4 VDC, 1020 mAh
AC Power AdapterAC-PW20 (Optional)
Operating/Storage TemperatureOperating
32 to 104°F (0 to 40°C)
Dimensions (WxHxD)4.6 x 2.7 x 1.5" / 116.8 x 68.6 x 38.1 mm
Weight22.12 oz / 627.10 g with battery and memory card

 

INSTAGRAM FEED

It was a mini @officialbgsu reunion today! Great It was a mini @officialbgsu reunion today!  Great to see former interns and employees paving their way through the film industry and now prepping @arri cameras with us!  #camerasbyshadowcast #alexamini #djironin #cookeoptics #bgsualumni #shadowcastpictures
Get the cinematic look you've been looking for wit Get the cinematic look you've been looking for with our tried and true Zeiss Super Speed MKII Lenses! Experience the dependable sharpness and clarity of a classic!  These lenses were recently beautifully overhauled by @ducloslenses and are ready to work!  #ZeissLens #CinematicLook #SharpnessAndClarity #vintagelenses #super35mm #alexa35 #zeisssuperspeeds #shadowcastpictures #camerasbyshadowcast #lensesbyshadowcast
It was a pleasure having our old friend @walkingpi It was a pleasure having our old friend @walkingpictures over to test out a build on the @sonycine FX-6.  Shadowcast’s @jayefilm and Andrew Sachs have been working with each other since 2006.  We strive to forge long lasting relationships like this.  Andrew was the DP on some of the first viral videos…before there were viral videos.  He is an extremely talented DP and in recent years has also become a very skilled producer.  You can find his latest work “Boys in Blue” on Showtime!  Also, thank you to PGR for loaning us an FX-6 in a pinch!  #sonycine #sonyfx6 #sigmacine #directorofphotography #producer #cameratest #lenstest #camerabuild #camerasbyshadowcast #shadowcastpictures
We’re thrilled to announce that we now have @anc We’re thrilled to announce that we now have @ancientoptics Minolta Rokkor Prime lenses available! These lenses are the perfect choice for cinematographers who want to capture rich and vibrant images with amazing clarity and detail while also providing nice texture to give some vintage character.  Their lightweight design combined with their advanced focusing system make them a must-have for every cinematographer.
 
They offer stunning optical performance, featuring  highly customized G.L. Optics Mark 5 housing and also cover full frame.  Additionally, they are incredibly durable, making them ideal for long shoots in any environment.
 
The Ancient Optics Minolta Rokkor Prime lenses provide a wide range of focal lengths from 21mm to 200mm that allow the user to capture stunning images in any situation with ease.  This 11-lens set offers 110mm fronts, PL Mount, matching gear positions, 330 degree focus throw, new circlular irises, and much improved close focus on most focal lengths.  Whether you’re shooting a feature film or a social media campaign, these lenses are sure to get the job done!

So, what are you waiting for? Rent your Ancient Optics Minolta Rokkor Prime lenses today from Shadowcast Pictures and start creating beautiful images that will surely look distinct from anything else!  #shadowcastpictures #minoltarokkor #rokkor #fullframe #vintagelenses #vintagelens #rehousedlenses #gloptics #cinematography
New gear now available! Alexa 35 and Ancient Opti New gear now available!  Alexa 35 and Ancient Optics Re-housed Minolta Rokkor primes by GL Optics.  If you haven’t used either yet let us know and we’d be happy to set up a demo or test!  More to come on the Minolta Rokkors…. #vintagelenses #super35 #minoltarokkor #digitalcinema #camerasbyshadowcast #shadowcastpictures
Lens testing today with DP @aj.raitano for an upco Lens testing today with DP @aj.raitano for an upcoming period piece.  Part of achieving the specific look of this film is through the lenses.  We have lots of great vintage lens options to choose from!  #truelensservices #zerooptik #ancientoptics #vintagelenses #filmmaking #cookespeedpanchros #minoltarokkor #nikonais #redgemini5k #lensesbyshadowcast #camerasbyshadowcast #shadowcastpictures
Arri Alexa 35’s have landed! @arri @abelcine #c Arri Alexa 35’s have landed!  @arri @abelcine #camerasbyshadowcast #shadowcastpictures #S35 #cinematography #alexa35 #digitalcinema
Arri Signature Primes on a Sony Venice do play tog Arri Signature Primes on a Sony Venice do play together nicely!  #arri #signatureprimes #arrisignatureprimes #sony #sonyvenice #cameraprep #fullframe #shadowcastpictures #camerasbyshadowcast #cinematography
Master Cases comes through again with an excellent Master Cases comes through again with an excellent custom case for our new Canon 25-250mm zooms.  Everything you need with this lens fits in the case!  Great design and protection for air or ground transportation.  THANK YOU MASTER CASES!
#canonusa #zoom #zoomlenses #cinemazoom #cinematography #lensrentals #lenscase #shadowcastpictures
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CONTACT US

Call: 818.453.8445
Fax: 818.453.8489
Email: [email protected]

Open M-F 9:00am to 6:00pm

Shadowcast Pictures, LLC
14141 Covello Street, Unit 4B
Van Nuys, CA 
91405
Copyright 2018 Shadowcast Pictures | All Rights Reserved
  • Home
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