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CANON C300 MARK II

Cinema EOS 4K

Canon C300 Mark II Description

The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma.

This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more.

Features

The EOS C300 Mark II Digital Cinema Camera integrates a re-designed imaging system of advanced components. These include a newly developed 8.85 Megapixel Canon Super 35mm 16:9 CMOS image sensor that supports up to 4K (DCI) recording with a maximum resolution of 4096 x 2160 pixels and a high-speed readout for reduced rolling-shutter distortion. Working in concert with its dual Canon DIGIC DV5 image processors, data from the 4K sensor delivers Over-Sampling HD Processing for reduced-moiré 2K(DCI)/Full 1080-60p HD recording and Dual-Pixel CMOS Auto Focus with an expanded focusing area and Face Detection (in combination with Canon EF lenses).

The dual DIGIC DV5 image processors also help to reduce visual noise and enable high-sensitivity shooting at a maximum speed of ISO 102,400 (+54dB) for sharp, clear image capture using only ambient lighting. In addition to its sensor and processors, the EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs that enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. For external recording and monitoring, twin 3G-SDI outputs capable of 4K RAW output are included on the rear of the camera body Users can choose among multiple recording modes, resolutions and frame rates to meet their production needs.

Creative flexibility is also greatly enabled by the EOS C300 Mark II Digital Cinema Camera’s compatibility with the full range of more than 100 Canon EF and EF-S photographic lenses (including specialty tilt-shift and fisheye models) and Canon CN-E Cinema prime and zoom lenses (including the “ENG-style” Canon CINE-SERVO zooms). New Dual-Pixel CMOS AF capabilities of the EOS C300 Mark II are enabled by the AF motors in Canon EF lenses. The improved EF lens communication capabilities of the EOS C300 Mark II camera allow for the display of CN-E Cinema lens T-values, lens metadata acquisition, and chromatic aberration correction on the camera’s LCD Monitor/EVF/Output display.

Operability improvements of the Canon EOS C300 Mark II Digital Cinema Camera that further facilitate operation and creative freedom include full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60° tilting angle, a built-in internal mono reference microphone, a removable hand grip, an improved camera handle extension with additional attachment points, and a removable LCD Monitor and control panel with XLR inputs. The modular design of the EOS C300 Mark II camera also allows for many kinds of industry-standard accessories to be added or removed as needed.

Specs


SensorCMOS sensor (single-panel) equivalent to Super 35 mm
Total PixelsApprox. 9.84 megapixels (4206 x2340)
Number of effective pixelsApprox. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Lens MountCanon EF mount
[EF lens group supported (including EF-S lenses), EF cinema lens group supported]
Exposure Modes(1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting
(2) Push auto iris control, auto iris control (Light metering system selection, shift possible)
Shutter SettingSpeed, Angle, Clear Scan, Slow, or Off mode selected
Either 1/3 or 1/4 steps selected as speed increment
lris Setting1/2-stop, 1/3-stop or fine setting selected
(1) Push auto iris control
(2) Auto iris control *
* Available only with some EF lenses
ISO1 step, 1/3 step settings
[*100 - 160 - 25600 -*102400
*When the sensitivity is expanded
GainNormal [*-6dB - -2dB - 42dB - *54db]
Fine: Setting in 0.5d8 step increments possible
* When the sensitivity is expanded
ND Filter5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected]
Motorized drive
Focus ControlDAF (Dual Pixel CMOS AF) supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF (*), face detection AF (Only lenses that support AF functions can be used in any of these modes.)
*See Technical Description.
LCD Monitor4 (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage
Viewfinder0.46 (1.18 cm on the diagonal), color organic EL display with a widescreen 16:9 aspect ratio
Approx. 1.17 million dots (1024 x RGB x 576), 100% field of view ratio
White BalanceKelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B)
Frame Rate59.94 Hz, 50.00 Hz, 24.00 Hz
59.94 Hz mode 59.94i / 59.94P / 29.97P / 23.98P
50.00 Hz mode 50.00i / 50.00P / 25.00P
24.00 Hz mode 24.00P
CFast CardMovie recording, custom picture settings, metadata 2-slot
SD CardRecording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible
UVideo Compression FormatsMPEG-4 AVC/H.264
Audio Recording SystemLinear PCM (16bit/24bit- 48 kHz - 4ch)
File FormatMXF
Bit Rate410/310/225/210/160Mbps Intra-frame 50Mbps Long GOP
35 or 24Mbps Long GOP (for proxy recording on SD cards)
CFast CardIntraframe recording
Resolution : 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080
Color Sampling: YCC422 10bit/(*)RG8444 (12bit/10bit)
(*) Only with 2048x1080 or 1920x1080; 29.97P, 23.98P, 25.00P and 24.00P

Long GOP recording
Resolution : 2048x1080 / 1920x1080
Color Sampling: YCC422 10bit
SD CardMovies: Long GOP recording only (*)
Resolution : 2048x1080 / 1920x1080
Color Sampling: YCC420 8bit
Photo: JPEG
Resolution : 2048x1080 / 1920x1080

(*) Proxy recording using low bit rate
Time Code Count-UpDrop frame(*) or non-drop frame
Operation ModeRec run, free run, regeneration
(*) Only in the 59.94 Hz mode
Zoom Remote ControllerCanon RC-V100
Special RecSlow & Fast motion recording (max. 120 fps supported), frame recording, pre-recording, interval recording
OtherRelay recording, double slot recording, 4K RAW output, custom picture settings, color bar, peaking display, zebra display, My Menu settings, waveform monitor display, edge monitor display, customized functions, function assignment buttons (1 to 11), key lock, marker displays, Enlarged display, custom display Browser remote control using WFT unit, peripheral illumination correction, monaural microphone, fan control, magnification chromatic aberration compensation, GPS information recording, etc.
Playback OperationsNormal playback, fast forward (at speeds of 5x, 15x, 60x), fast reverse (at speeds of 5x, 15x, 60x), frame forward, frame reverse, forward skip, reverse skip, rec review
Clip Display3x4 (clip) index screen
[Original, OK mark, check mark, shot mark, expand, proxy, photo (SD card) index displays available]
Clip Information DisplaysClip metadata display, custom picture data display
EditClip deletion, clip copying
InputGENLOCK terminal (also serves as SYNC OUT terminal), TIME CODE terminal (input/output switching), REMOTE terminal, MIC terminal, AUDIO terminal
OutputMON. terminal, REC OUT terminal, HDMI OUT terminal, headphones terminal, SYNC OUT terminal (also serves as GENLOCK terminal), TIME CODE terminal (input/output switching), VIDEO terminal
Input/output controlExpansion system terminal (WFT/other unit)
Monitor Unit InputINPUT terminal (XLR) x 2, VIDEO terminal
Monitor Unit OutputAUDIO terminal
Power Supply14.4V DC (battery pack), 16.7 V DC (DC-IN)
Image Processing PlatformDual Digic DV 5
Main Unit WeightApprox. 3.9 lb (1770 g)
Dimensions (W x H x D)Approx. 5.9 x 7.2 x 7.2 in (149 x 183 x 183 mm)- with thumb rest

 

INSTAGRAM FEED

It was a mini @officialbgsu reunion today! Great It was a mini @officialbgsu reunion today!  Great to see former interns and employees paving their way through the film industry and now prepping @arri cameras with us!  #camerasbyshadowcast #alexamini #djironin #cookeoptics #bgsualumni #shadowcastpictures
Get the cinematic look you've been looking for wit Get the cinematic look you've been looking for with our tried and true Zeiss Super Speed MKII Lenses! Experience the dependable sharpness and clarity of a classic!  These lenses were recently beautifully overhauled by @ducloslenses and are ready to work!  #ZeissLens #CinematicLook #SharpnessAndClarity #vintagelenses #super35mm #alexa35 #zeisssuperspeeds #shadowcastpictures #camerasbyshadowcast #lensesbyshadowcast
It was a pleasure having our old friend @walkingpi It was a pleasure having our old friend @walkingpictures over to test out a build on the @sonycine FX-6.  Shadowcast’s @jayefilm and Andrew Sachs have been working with each other since 2006.  We strive to forge long lasting relationships like this.  Andrew was the DP on some of the first viral videos…before there were viral videos.  He is an extremely talented DP and in recent years has also become a very skilled producer.  You can find his latest work “Boys in Blue” on Showtime!  Also, thank you to PGR for loaning us an FX-6 in a pinch!  #sonycine #sonyfx6 #sigmacine #directorofphotography #producer #cameratest #lenstest #camerabuild #camerasbyshadowcast #shadowcastpictures
We’re thrilled to announce that we now have @anc We’re thrilled to announce that we now have @ancientoptics Minolta Rokkor Prime lenses available! These lenses are the perfect choice for cinematographers who want to capture rich and vibrant images with amazing clarity and detail while also providing nice texture to give some vintage character.  Their lightweight design combined with their advanced focusing system make them a must-have for every cinematographer.
 
They offer stunning optical performance, featuring  highly customized G.L. Optics Mark 5 housing and also cover full frame.  Additionally, they are incredibly durable, making them ideal for long shoots in any environment.
 
The Ancient Optics Minolta Rokkor Prime lenses provide a wide range of focal lengths from 21mm to 200mm that allow the user to capture stunning images in any situation with ease.  This 11-lens set offers 110mm fronts, PL Mount, matching gear positions, 330 degree focus throw, new circlular irises, and much improved close focus on most focal lengths.  Whether you’re shooting a feature film or a social media campaign, these lenses are sure to get the job done!

So, what are you waiting for? Rent your Ancient Optics Minolta Rokkor Prime lenses today from Shadowcast Pictures and start creating beautiful images that will surely look distinct from anything else!  #shadowcastpictures #minoltarokkor #rokkor #fullframe #vintagelenses #vintagelens #rehousedlenses #gloptics #cinematography
New gear now available! Alexa 35 and Ancient Opti New gear now available!  Alexa 35 and Ancient Optics Re-housed Minolta Rokkor primes by GL Optics.  If you haven’t used either yet let us know and we’d be happy to set up a demo or test!  More to come on the Minolta Rokkors…. #vintagelenses #super35 #minoltarokkor #digitalcinema #camerasbyshadowcast #shadowcastpictures
Lens testing today with DP @aj.raitano for an upco Lens testing today with DP @aj.raitano for an upcoming period piece.  Part of achieving the specific look of this film is through the lenses.  We have lots of great vintage lens options to choose from!  #truelensservices #zerooptik #ancientoptics #vintagelenses #filmmaking #cookespeedpanchros #minoltarokkor #nikonais #redgemini5k #lensesbyshadowcast #camerasbyshadowcast #shadowcastpictures
Arri Alexa 35’s have landed! @arri @abelcine #c Arri Alexa 35’s have landed!  @arri @abelcine #camerasbyshadowcast #shadowcastpictures #S35 #cinematography #alexa35 #digitalcinema
Arri Signature Primes on a Sony Venice do play tog Arri Signature Primes on a Sony Venice do play together nicely!  #arri #signatureprimes #arrisignatureprimes #sony #sonyvenice #cameraprep #fullframe #shadowcastpictures #camerasbyshadowcast #cinematography
Master Cases comes through again with an excellent Master Cases comes through again with an excellent custom case for our new Canon 25-250mm zooms.  Everything you need with this lens fits in the case!  Great design and protection for air or ground transportation.  THANK YOU MASTER CASES!
#canonusa #zoom #zoomlenses #cinemazoom #cinematography #lensrentals #lenscase #shadowcastpictures
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CONTACT US

Call: 818.453.8445
Fax: 818.453.8489
Email: [email protected]

Open M-F 9:00am to 6:00pm

Shadowcast Pictures, LLC
14141 Covello Street, Unit 4B
Van Nuys, CA 
91405
Copyright 2018 Shadowcast Pictures | All Rights Reserved
  • Home
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